It's been a long few months. Right now, I'm no longer unbridled in Los Angeles, but tethered in my hometown of Vienna, VA. Not tethered in a bad way, just safe, financially stable, and back in the nest, a feeling I haven't experienced for several years now. But one thing this lack of survival-mode has given me is the chance to reflect, and one incident in particular is worth mentioning, especially in this time of an economy that is anything but friendly to the bright young minds that are being turned out of top schools and not able to find a job anywhere near their area of interest, and sometimes even to head back home.
In 2008, I was working at a coffee bar in northern California. It was no Starbucks, in fact a request for a double tall skinny soy vanilla latte would invite a scoff from most of my fellow baristas: "We don't do syrup here. Why don't you try... (insert curled upper lip and disdainful tone) Starbucks." In addition, Doge featured the best Venetian wines, also a Starbucks deficiency.
But it was a vibrant place, a watering hole for Europeans and Stanford students and everyone in between. I was able to practice all of the Romance languages in a single day and hear hosts of tales from my customers, like Sergio, who had cut through the North Pole on a nuclear submarine years ago or Pierre, who had gotten a speeding ticket for going too fast on his racing bike.
The one thing I never got at the coffee shop was sufficient training. I was pretty much thrown into a job which I was unqualified for, pretty much because I'm good at interviews.
"Just get on the register. Call out the drinks to the other baristas and learn the drinks when things are slow," were basically my instructions.
The problem with the most popular coffee shop in a small town is that things are never slow.
My co-workers began to resent me. They thought I was too chatty (hands up...guilty.) and they didn't like me "ordering them around" instead of making the drinks myself. Of course, I was having such a good time, I was oblivious to the growing passive-aggressivity for a long time.
Until, one day, my manager a Stanford senior, pulled me aside and asked me to come into his office for a chat.
"Shannon," he said, closing the door. "Do you even like this job?"
"Of course!" I said, baffled by the question. "I love this job!"
"Really? Because you haven't learned the drinks. You're still burning the milk. Your latte art is sub-par, and no offense, but I've seen you pull some pretty crappy shots." I was speechless, tears pricking behind my eyes.
Of course, by shots, he meant of espresso. This is a guy who spent his entire Spring Break going to "espresso cuppings" up and down the Pacific Northwest coastline.
"I want you to take this week to think about whether this is the right fit for you."
"Um, ok", I said, fighting back tears. "Can I have a minute before I go back in there?"
"Of course," he said.
I went outside in the alley and proceeded to throw a mini private fit. I called my mom in a rage, declaring that I went to an Ivy League school and I don't need a 23 year old kid to call me out like that and I don't even need that job.
I was about to run back in there and say, "You can't fire me, I quit!" and make a huge Jerry McGuire-style scene. But that's not my style, so I resolved to prove him wrong. I gathered my composure and went inside, back behind the bar.
It was a lazy Sunday afternoon, so I had a chance to practice my cappuccinos and the little leaves on top and getting the milk just right. When I had had enough practice, I grabbed a rag. As they say in the restaurant, "If you have time to lean, you have time to clean." (Probably my worst favorite concept of all time.)
As I was rubbing down the counters for the fifteenth time, a man came into the store. He was handsome, older, with dark hair and deep brown eyes. He had two books in his hand, and the top one was Don Quixote . It was quiet, and my manager was gone, and the only other barista there was my least resentful co-worker, who hated customer interaction and loved making drinks.
"Are those for business or pleasure," I asked. I flirt when I'm bored.
"Well, I'm a writer so I'm trying to be a reader."
"Whew, that's a big read for a Sunday."
"Not much of a reader, are you?" He poked.
"Um. Yes, actually. And, I'm a writer too. What do you write?"
"Well, I used to be a journalist at the LA Times, but recently I published my first book about growing up in a bar on Long Island." He didn't bother to name the work.
"Wait. The Tender Bar?"
"Yes. Do you know it?"
I couldn't believe it. I did know that book. I loved that book.
"I read that in my senior year of college. I liked it so much that I gave it to my professor. JR Moeringer, right?"
"Yes. Nice to meet you. Now, what do you write?"
"Well, I said. I'm unpublished. I guess my feelings about writing can be summed up in a quote by Thomas Mann. 'A writer is someone for whom the act of writing is more difficult than it is for anyone else.' I'm kind of a perfectionist...and hopelessly ADD," I said.
"Who did you say said that quote?"
"Oh, Thomas Mann."
On that note, he produced from underneath the giant de Cervantes tome, a book with a tree on the cover, whose title I can't recall, by none other than Thomas Mann himself.
"Whoa. Creepy." I said.
"It's destiny," he said. "All I can say is, they say that to master anything, it requires 10,000 hours of work. So, get going. Just write."
We exchanged emails and kept in touch for a little while, and though I haven't corresponded with him in years, I never forgot that moment.
That week I put my nose to the grind stone. I hardly chatted with the customers, I practiced my drinks religiously, and made some damn good latte art. I thought I had redeemed myself.
That Friday, as we were closing, all joking and laughing, my manager again took me into his office.
"Shannon, I want you to know you did a great job this week. You did everything that I asked and it all came together for you. But, unfortunately, I already hired someone else who is more of a barista. If I had a management position for you, you would have it, but that's not what I need right now."
I laughed. The rage was gone. I had done my best, and I was over it. I took off my uniform shirt, handed over my key and said, "Sayonara."
After that, with no job prospects, I made the decision to head home again, to regroup. So, I packed up my life and headed east. However, instead of being the end of an adventure, it turned out to be the beginning. Upon leaving, I got a yoga teaching certification, spent a summer helping my grandfather with a genaeology project, taught yoga all over DC, witnessed the Obama inauguration in person, connected with a yoga teacher in LA, headed back to Cali, where I had another three years of adventures to put into the 10,000 hours in which I have begun to make a dent. Yes, I started writing.
I was not meant for a career as a barista, or a yoga instructor, or an actor, or a saleswoman, or a temp, or a physical therapist. Those are roles I have played, some of them even quite well, but above all I am a writer. My roles are simply vehicles to collect the stuff of my real life's work.
So, the moral of the story, is that nothing in life that happens is bad. It might hurt. bad. It might make you cry. It might make you throw a Jerry McGuire-style tantrum. But it all happens for a reason.
-Mahalo <3 br="" nbsp="">
Sunday, September 23, 2012
Thursday, April 19, 2012
Temps are people too...
The original "bad temp" was Ryan on the Office, whose enormous ego and total shadiness eventually culminated in jail-time.
This season, Dunder Mifflin brought in Cathy, a sleazy home-wrecker who tried to break up Jim and Pam, one of the few on-screen couples that give us all hope that healthy marriages are not extinct. Luckily, Jim tricked Dwight into spraying her with pesticides.
Recently, in American Pie, the legendary Stifler has found himself in a Temp position working for a despicable little Indian executive who takes every opportunity to remind Stifler that he is his bitch.
Stifler makes matters worse by proving that he is a complete idiot.
But seeing these scenarios is upsetting to me because I am one of these administrative mercenaries.
I am a temp. It is thankless. It is humbling.
We, temps, are basically on call. We have no job security. We work for days or weeks at a time for merely a percentage of the arm-and-leg that the agency charges the client, with no benefits. The companies can extend or end the employment period on a whim.
Companies don't realize what we do for them. First of all, hiring is an arduous process that costs the company time and money. Hiring a new employee would mean paying benefits and going through orientations, just to name a few. It also requires commitment on both parts and the risk that it might not work out for the new person. Thanks to the economy and general aimlessness of our generation, they get top-tier employees at rock-bottom prices.
Temps get thrown into a job with no company-specific training, no knowledge of the office policies, politics, etc., and are expected to pick up where the last person left off. We take on "special projects" that the higher up admin people don't want to do. And we do it all for way less than we are worth.
Luckily, my experiences as a temp have been positive---for the most part. The last company I worked for was awesome and I was sad to leave. But, on my next job, I witnessed the really ugly side of the job.
First thing in the morning--Five minutes early, of course--I reported to the head of my department, a stern, elegant black woman in her fifties, whose blue-eyed glare set me on edge from the get-go. She was brusque with me from the beginning, after directing me to open the mail, stamp it, and deliver it, which would pretty much be the most strenuous of my duties for the day. After that, she pretty much ignored me and I did my best to stay out of her way. To be fair, she was in meetings for most of the day.
During one of these meetings, the receptionist, a flamboyant little man who flitted about urgently throughout the day, had let himself into her office with one of the many keys jingling on his belt loop. He was grabbing a brochure for a client he was helping at the front desk and was out of there in 3 seconds.
When Boss Lady got back, one of her staff mentioned what Mr. Front Desk had done. Well, from Boss Lady's reaction, you would have thought that he went in there and took a dump on the floor.
"Who does he think he is? How dare he let himself into my office. He was just a TEMP! A temp off the streets..."
A temp off the streets! I'm sorry, temps are the Superheroes of the administrative world. Someone's out sick? We got you covered. Want us to do all those TPS reports that your delinquent assistant has neglected in favor of reading Facebook updates? Yes, ma'am.
This next comment really cut me to the core. "Temps are nothing but social pollinators. They come in here, trying to be all friendly with everyone. You're not here to be friendly, Temp. You have a job to do, so do it, and keep your head down."
Ok, Boss Lady, you are not Prince who is legendary and eccentric and has earned the right to command people not to look at him.
(Hey you!!!! Don't look at him!!!!!!)
When our temp agents call us and unnecessarily read off the list of things that a receptionist does, being "WARM, FRIENDLY, and OUTGOING," is frequently first on the list.
For the rest of the afternoon, I was torn as to whether to continue with the three-week assignment or ask to be taken off. When five o'clock rolled around, I stepped toward her office, being careful not to enter the threshold, and said, "I'm leaving for the day..."
No Response.
After a beat, I said, "Ok, Have a great night."
Her assistant chimed in, "Ms. Boss Lady, Shannon's leaving."
Finally, Boss Lady, without lifting her head, said, "Oh. Bye."
I did not go back to that office.
Sure, "Temp" is not the most coveted of titles, but those of us who do it are doing what we can to contribute to society while trying to find our niche. It sure beats sitting on the street with a cardboard sign. And, yes, there are probably many temps out there who screw around because their bosses are technically the agents and not the on-site managers, but for every Cathy and Ryan, there is someone like me who does her best to bring 110% to the table, no matter how close to minimum wage the salary might be.
Sunday, January 15, 2012
Live at Sabor y Cultura 14 Jan 2012
Three years ago in the summertime, I took my first tentative babysteps into the spotlight on a stage in a tiny hole in the wall called the Stone Bar in Hollywood's Thai town. I had just meant to be a fly on the wall, but a fellow musician, Jen Bloom, convinced me to go up and sing. What have you got to lose? After some prodding, I put my name on the list.
I had just finished a song and I thought it was good a one, so I wrote the lyrics on a napkin to make sure I remembered them. I crumpled and un-crumpled the napkin as I checked and re-checked the lyrics.
Finally, Joseph Eid, the master of ceremonies for the Open Mic at the Stone Bar, called my name. Looking back at the supportive faces of Jen, and three of my best friends, Cristina, Karoline, and Juliane, I took the long walk past barstools, tables, and guitar cases toward the blue glow of the spotlights.
Wearing flip-flips, cut-off jean shorts, and a pink and black flannel, I stood naked on the stage. Except, any nervousness I had felt on the walk up there had dissipated. I finally had an audience.
"I only have one song, "I said, and then I sang it. It was a song called, "What lies inside." It had come to me in the shower, which has a glass door on it, a motif you can hear in the song. I don't have a recording of that, but I'll get one soon.
Anyway, at the end, people clapped and whistled and I felt on top of the world. That was the beginning of something very cool. A gifted musician himself, Joseph has this incredible magnetism for talent and I've been blessed to have met and played with amazing people over the last few years, many thanks to Joseph.
Last night, I played some songs at Sabor y Cultura on Hollywood Boulevard as part of a Singer-Songwriter circle, also one of Joseph's brainchildren. In this little room, splashed with pink, purples, and oranges, and lights just a little too bright, six singer-songwriters came together to share our original music.
Joseph sang one tune inspired by the movie, "Melancholia," musing about what he might do to prepare for the end if a mysterious planet were hurtling towards the earth.
Mark Phillips, who was part of the original Stone Bar crew, whose sound and style registers somewhere between Johnny Cash and John Prine, sang couple traveling songs about trains that had the same effect as some really good pot.
Rob Larkin told us a musical story of the time when he and his friends went down to Mexico and barely made it out alive, as well as a song about seeing crazy people on Hollywood Boulevard, and sometimes, just sometimes, feeling right out there with them.
Brett Dallas Mondie from Hall River, North Carolina, had a vague resemblance to Dashboard Confessional and sang songs of undying love and of uprooting his life from the east coast and heading west.
Samantha Tart sang songs about love and loss like an angel.
And, then, it was my turn. I swallowed the lump in my throat, and went for it.
Mahalo :)
Tuesday, January 10, 2012
Ski Lessons: The Reformation of an Alpine Trainwreck
(Ok, it didn't look like that.)
My second to last ski trip to Northstar at Lake Tahoe was a real doozy.
Now, if I had started on the bunny trail, I would have been ok, but I decided to follow my two seasoned snowboarding friends down a black diamond. As I careened down the hill, praying for dear life/battling nausea, it occured to me that I failed to put the loop of my pole around my wrist.
BUT, I was not to be deterred. I agreed on another run, this time on a blue square. I could handle that. But, at the last second, the guys took a turn down a powder trail and naturally, I followed. Within about 10 feet of the opening, I was on my ass, buried in snow and the guys were long gone. So, off came the skis again, and this time, I trudged WAIST deep toward what I thought might be the right direction. This consisted of taking 15 steps and then leaning back to take a rest on top of the snow for five minutes.
(Ha...I wish.)
Luckily, after 20 minutes of this, I ended up on a slope and a friendly ski patrolman helped me get my skis back on and I made it to the bottom of the hill.
(This is my mad face.)
And, that concluded the skiing portion of my ski trip. I spent the rest of the day defrosting by the fire pit.
So, I will admit that I've been avoiding the slopes in recent years, but when I went up to visit my grandparents, they said their only wish was to have the whole family go up to a nearby ski resort in western New York called Peak n' Peak.
It was time to face my fears.
This time, I started out right. On the bunny slopes. Easy breezy.
But of course, having two younger brothers, I was not to get away with staying there all day.
All the green circles were closed, so my only choice was the blue square. My heart started to pound and I got that throw-uppy feeling again. I set my sights on the bottom of the hill and blindly willed myself to get down there. All of my limbs and body each seemed to be partying to their own DJ. I was flailing all over, but managed to keep my balance.
But, all of a sudden, in the middle of the third or fourth try down the mountain on a particularly steep and icy patch of snow, I felt this compulsion to sing-talk to myself, "Shan, you got thisssss. you got thissss."
And then there was this shift. I felt myself separate from the chaos and speed and vastness of the mountain scene surrounding me. The different muscles in my body were no longer fighting to free themselves from one another, but were now working in tandem as I gave my full attention to each, single stride. I became a well-oiled machine.
Instead of looking way down to the bottom of the mountain, I kept my sights only a few yards in front of me, but with a more relaxed gaze that allowed me to keep the rest of the picture in soft-focus.
I didn't need to fixate on the end goal because I simply trusted that I would eventually get there. I was no longer hurdling down the mountain because it wasn't the end that was pulling me, it was the next small step.
The next thing I knew, I was cruising down the hill and toward the finish line with the greatest of ease. When I met my brothers at the bottom, I even did a little hockey stop. ( I am not above showing off.)
Even my mom noticed a difference. "I've never seen you go down the hill with such control before." I just smiled and nodded. I saved the lengthy self-analysis for this post......
I ended the day taking on the black diamonds with the deftness of a veteran skiier. Granted those NY Appalachians are no Rockies, but with my new method of taking it stride by stride, I feel that I can tackle any mountain.
And my grandparents were happy too!
I don't think I have to go into the metaphor on getting through life that's in here...
I want to hear your stories!
What are some of your ah-ha moments about getting through seemingly life threatening situations that ended up being not that bad?
Mahalo :)
Monday, January 2, 2012
Five...Well, Three rules for a Happy Life
This Christmas, my mom gave every single member of my family a copy of "Shatner Rules", William Shatner's latest auto-biography. It was an actually surprisingly hilarious octogenarian's look back on his fabulous life. It's filled with anecdotes ranging from Hitch-hiking around the U.S., riding into his Friar's Club Roast on a Horse, and getting his underwear stolen by a crazed fan at a Trekkie convention. Throughout are sprinkled the rules that he followed to make him the awesome guy that he is today.
My opinion of William Shatner has increased significantly since I read his book, but when I think of what a happy life looks like to me, William Shatner is not the person who comes to mind.
My grandmother, Esther Joy, or Tutu, as I call her will be 89 in February. I know it will be 89, because in 2003, I had to talk my way onto 2 airplanes and get picked up by my dad the next state over because I missed my flight to her 80th birthday party after a few two many red cups full of jungle juice at a party the night before. But, I digress...
I happened to be reading "Shatner Rules" while lying awake on an air-mattress in my grandparents' condo in Western PA. I looked around at all the photos of friends and loved ones and clippings of family successes and poetry and art, and it dawned on me. Why had I never, in all of my years, asked my grandmother what her rules for a happy life are?
So, the next morning, I asked her, "What are 5 rules you've followed in your life that have helped you be happy?" She had to sit down for that one, but once she did, the first three came pretty quickly.
1. Be there.
2. Go with the flow.
3. Don't sweat it. Any of it.
Now, commencement speeches, motivational audio-books, and embroidered pillows have been telling us this forever, but, despite many of those luminaries and motivational speakers who always seem to have overcome anger-management problems, suffered through divorces and estrangements, conquered substance abuse, climbed over everyone to the top of their fields, or cheated death to be able to say these things with such certainty, Tutu has just lived her life that way.
It's all about being present, saying yes to the opportunities that come along, and having the faith and patience to know everything will be ok. When she graduated from high school, College wasn't even in the cards for her. She worked at the telephone company. But when a family friend tipped her off to a nursing scholarship, she said, "Yes," applied, and got it, which sent her into a whole new direction that she never could have anticipated.
When my grandfather, whom she had met while in nursing school, asked her to marry him, right before shipping off to the Philippines during the Korean War, she said, "Yes." A week later they were married, they spent their honeymoon driving cross country, and then he shipped off and he didn't see her for a year. But, she was patient, and then took six different planes from Buffalo, NY to Manila to be with my grandfather. The two of them have been married for over six decades and remain best friends to this day.
Tutu listens without judgment. Her advice is always, "Follow your heart." Never any instructions or prescriptions, just "Trust."
She has friends that would do anything for her. When we arrived at her house for Christmas, her dining room table was littered with Christmas-y tins full of home-made fudge and cookies and sponge candy that friends that she's had for 50 and 60 years are still bringing to her.
Even now, when she's not as mobile as she once was---she won't be taking any planes to southeast Asia anytime soon---she finds Joy in the most simple of pleasures, like white wine with ice-cubes and keeping tabs on the boats on Lake Erie from her balcony.
After the first three rules, Tutu had gotten distracted and I thought she had forgotten about the question, but after a little conversation with my brother who was tidying up the living room and commenting on the good smell coming from the kitchen making breakfast, she pointed at me and said, "Oh, I thought of the last two rules!":
4. Make sure to have big kids and grandkids who can cook and clean for you.
5. Always wait til everyone else gets up before you get out of bed.
I had to laugh at that. Oh how I wish I could follow those rules right now... But, if you think about it, those aren't so much rules as the rewards you reap by following the first 3. Tutu's no William Shatner, but if you follow her rules, I think you'll like what happens.
My opinion of William Shatner has increased significantly since I read his book, but when I think of what a happy life looks like to me, William Shatner is not the person who comes to mind.
My grandmother, Esther Joy, or Tutu, as I call her will be 89 in February. I know it will be 89, because in 2003, I had to talk my way onto 2 airplanes and get picked up by my dad the next state over because I missed my flight to her 80th birthday party after a few two many red cups full of jungle juice at a party the night before. But, I digress...
I happened to be reading "Shatner Rules" while lying awake on an air-mattress in my grandparents' condo in Western PA. I looked around at all the photos of friends and loved ones and clippings of family successes and poetry and art, and it dawned on me. Why had I never, in all of my years, asked my grandmother what her rules for a happy life are?
So, the next morning, I asked her, "What are 5 rules you've followed in your life that have helped you be happy?" She had to sit down for that one, but once she did, the first three came pretty quickly.
1. Be there.
2. Go with the flow.
3. Don't sweat it. Any of it.
Now, commencement speeches, motivational audio-books, and embroidered pillows have been telling us this forever, but, despite many of those luminaries and motivational speakers who always seem to have overcome anger-management problems, suffered through divorces and estrangements, conquered substance abuse, climbed over everyone to the top of their fields, or cheated death to be able to say these things with such certainty, Tutu has just lived her life that way.
It's all about being present, saying yes to the opportunities that come along, and having the faith and patience to know everything will be ok. When she graduated from high school, College wasn't even in the cards for her. She worked at the telephone company. But when a family friend tipped her off to a nursing scholarship, she said, "Yes," applied, and got it, which sent her into a whole new direction that she never could have anticipated.
When my grandfather, whom she had met while in nursing school, asked her to marry him, right before shipping off to the Philippines during the Korean War, she said, "Yes." A week later they were married, they spent their honeymoon driving cross country, and then he shipped off and he didn't see her for a year. But, she was patient, and then took six different planes from Buffalo, NY to Manila to be with my grandfather. The two of them have been married for over six decades and remain best friends to this day.
Tutu listens without judgment. Her advice is always, "Follow your heart." Never any instructions or prescriptions, just "Trust."
She has friends that would do anything for her. When we arrived at her house for Christmas, her dining room table was littered with Christmas-y tins full of home-made fudge and cookies and sponge candy that friends that she's had for 50 and 60 years are still bringing to her.
Even now, when she's not as mobile as she once was---she won't be taking any planes to southeast Asia anytime soon---she finds Joy in the most simple of pleasures, like white wine with ice-cubes and keeping tabs on the boats on Lake Erie from her balcony.
After the first three rules, Tutu had gotten distracted and I thought she had forgotten about the question, but after a little conversation with my brother who was tidying up the living room and commenting on the good smell coming from the kitchen making breakfast, she pointed at me and said, "Oh, I thought of the last two rules!":
4. Make sure to have big kids and grandkids who can cook and clean for you.
5. Always wait til everyone else gets up before you get out of bed.
I had to laugh at that. Oh how I wish I could follow those rules right now... But, if you think about it, those aren't so much rules as the rewards you reap by following the first 3. Tutu's no William Shatner, but if you follow her rules, I think you'll like what happens.
Wednesday, October 12, 2011
Will Laugh for Food: Audience work at "Rules of Engagement"
When you are underemployed and broke in Hollywood, there are alternatives to prostitution.
One of those is audience work. This is basically where shows pay you *CASH* to come and laugh or clap while they tape sit-coms or game shows.
I got an email earlier in the day for a Rush call for "Rules of Engagement" audience participants. It promised $8/hour, cash paid at the end of the night. I owed my roommate money for the gas bills, so it was as if God said, I will give you that money, but you must laugh on-command for 5 straight hours in return. Not a bad deal if you ask me.
So, I headed down to Sony Studios where I met my point-person Pam, a sweet woman with a smoker's cough and a clipboard with a list of names scribbled in pen. Luckily, mine was on there. I got in line where I made fast friends with Trish, a Vietnamese financial planner turned traffic school teacher, who makes a regular second-income on the audience circuit.
At first we were hustled into the back right of the room, which would have made for a pretty painful night, but by the grace of God, or my guardian angel with a wicked sense of humor, I caught the eye of a page, who beckoned me into a seat dead center of the front row of the center section. I dragged my new friend Trish with me and we took our seats.
Pretty soon, the warm-up comedian took the mic and commenced the difficult task of keeping this particular cross-section of humanity at a level where we could produce manic laughter at every hint of a joke. He started right off singling all of the out of out-of-towners and making fun of them, nation by nation, starting with a tiny woman from England, the some flight attendants on layover from Australia, and a group of one Quebecoise girl and four french tourists. There were also Israeli military men, who happened to be the most adept at singing their own national anthem, another little gag that the emcee pulled on all the foreigners. He poked fun at all of their accents, much to the chagrin of one Frenchman named Frederic, who took a while to warm up to our dear maestro.
The most awkward moment of the evening was when the comedian prompted the winner of the YMCA dance contest to kiss him on the cheek to receive his prize t-shirt, and then very tattooed young man just could not compromise his manhood in that way. So, after the akwardest few minutes, the whole audience must have been secretly asking, "Dude, are you gay?" precisely the question he obviously did not want us asking. I almost ran up and kissed the guy for him, but the comedian pulled another man from the audience to show the stubborn winner how simple it was. Unfortunately for the willing party, the comedian turned his face toward the man's peck so the two engaged in a full lip lock. It was national 'Coming Out Day' after all...
Watching the scenes was a fantastic learning experience for me. There were four sets lined up next to each other: An office, a lobby, a diner, and a living room. Throughout the course of the evening, the three camera, or multi-cam set up would move to the different set, in the actual order of the scenes. Each scene was very short and ended on a nice "button". They would also play scenes they had shot earlier to get the audience laughter recorded.
The comedian put a lot of pressure on us about the laughing, and at first, the audience seemed to be hesitant to laugh--almost as if they were scared they weren't going to do it right. I laugh at almost everything, so it wasn't hard for me to do my job. I was a little disappointed I didn't win a t-shirt or a mug or an autographed script for laughing the loudest, but I think it had something to do with beating the emcee in a stare-down contest when he came up to me during a break, and then saying, "I win."
Depending on how much the audience responded, after each take, the writers would rush over to the actors and make some quick adjustments to the dialogue. It was amazing to watch the actors keep their energy high and their characters consistent. The subtlety and timing were also impeccable. There is a good reason that David Spade and Patrick Warburton, the stars, have had such successful comedic careers. They played the audience like fiddles....or me at least.
As it turns out, the woman sitting next to me and my new friend Trish was the wife of one of the main actors. It was awesome to hear her take on the whole thing. She seemed unimpressed by the whole ordeal, but sweet. Apparently, Sit-com has about the best schedule in the business. It's consistent. The hours aren't bad. It's a Wednesday table read to Tuesday live performance schedule with rehearsals and pre-shoots that last reasonable hours. Showday is about 11 hours, but the rest of the week is light.
What was also wonderful was hearing that she and her husband have been together for 30 years and have four kids and a relatively normal life. It gives me hope that you can make it in Hollywood and not be a total train-wreck with multiple marriages, divorces, and extra-marital affairs. Comedy is a double-edged sword, because we all know comedy is sublimated angst/depression rooted in an abusive or painful childhood, parents who don't understand feelings, and/or Roman Catholicism. But when it's done well, and cleanly, it's one of the purest, most beautiful gifts we humans have.
By the end of the night, we all were a little loopy, including the comedian. But, props to him, he was doing his best to keep it lively. Among his bag of tricks were impeccable German, French, and various British Commonwealth dialects; juggling many things including three ping-pong balls with only his mouth, as well as batons while balancing a chair and then a ladder, on his chin; playing a game called "Guess the Asian" with a group of UCLA students who were part of a community service fraternity, but could not come up with an actual charity that they were raising money for.
They took care of us, giving us half a subway sandwich, a tiny bottle of water, and a cookie. Lucky for me and Trish, the actor's wife gave us her half-sandwich, so we got to split it and each have an extra quarter sub. I was starving, so I felt so grateful, like one of the Orphans in Oliver, or the little girl that Apu reluctantly gives his piece of bread to in Aladdin.
The episode itself, Episode 7--my lucky number, incidentally--was near and dear to my heart. It was entitled "Missed Connections" and centered around one of the employees who saw his dream girl on the metro and decided to post a notice in the Missed Connections section of Craigslist. Right after the topic was raised, there was a scene break, and Cee Lo's "F-you" song played on the overhead.
As many people know, earlier this year, I was alerted to a Missed Connection that had been posted about Yours Truly. Apparently, I had caught the attention of a young man who I had sat next to at a UCB show where Robin Williams made a surprise appearance as an Improv player. The connection? The guy sitting next to me had snorted, and commented "I totally just snorted." I retorted, "yeah you did." I guess he liked my style. Long story short--or Long story, long, as one of the jokes in the show had gone--I went on a date with him where he happened to play the very same Cee Lo "F-you" song and announce it was the best new song ever. Needless to say, things went downhill from there, and he was not my soulmate as I had hoped.
I won't tell you how the episode went, but it was funny, so watch it.
At the end of the show, I reluctantly shuffled out with the rest of the public, feeling kind of energized, but kind of sad. I wanted so desperately to be a part of that operation, and not one of the masses. There's a magic in Sit-Com, mostly because it blends the live-energy of stage, and the finesse of film. And laughter is like really, really good drugs, and I didn't want my high to end.
In the end, I almost forgot to pick up my $42 cash, but Trish reminded me. We met a very dirty white van in the parking lot of a Starbuck's across the street. We all had to line up so Pam could cross us off the list. Then a little old black man handed us an envelope with cash money inside. I felt a little dirty, but also like I had just made the easiest money of my life.
I was reminded that Someday, once I can control my impulse to laugh at pretty much any kind of funny person, let alone prodigious comedians, I hope I will be down in that set, playing the straight person to some comedic genius. But for now, I don't mind just laughing.
It was a wonderful field trip in my own personal school of show-business that I have found myself in throughout the last few months since I graduated from AADA. It's nice because I am the principal and the director of instruction and I get to pick all of my guest instructors. It's nice to be in charge.
I've learned some pretty tough lessons lately, so it was nice to get a dose of the best medicine out there. My dad's a doctor and he's kind of celebrity in our area because he's taken care of pretty much everyone and their mother. I think his secret is that he's a bit of a comedian, and he doesn't just fix people, he makes them smile and feel good.
I want to be able to help people in the same way my dad has. I feel sad that I've missed the boat on Med School, even though the thought of having to go through 7 years of school makes my stomach feel like it needs medical attention. But if I'm lucky, someday, I'll be able to heal peoples' spirits by giving them some chuckles, or at least a smile or two.
One of those is audience work. This is basically where shows pay you *CASH* to come and laugh or clap while they tape sit-coms or game shows.
I got an email earlier in the day for a Rush call for "Rules of Engagement" audience participants. It promised $8/hour, cash paid at the end of the night. I owed my roommate money for the gas bills, so it was as if God said, I will give you that money, but you must laugh on-command for 5 straight hours in return. Not a bad deal if you ask me.
So, I headed down to Sony Studios where I met my point-person Pam, a sweet woman with a smoker's cough and a clipboard with a list of names scribbled in pen. Luckily, mine was on there. I got in line where I made fast friends with Trish, a Vietnamese financial planner turned traffic school teacher, who makes a regular second-income on the audience circuit.
At first we were hustled into the back right of the room, which would have made for a pretty painful night, but by the grace of God, or my guardian angel with a wicked sense of humor, I caught the eye of a page, who beckoned me into a seat dead center of the front row of the center section. I dragged my new friend Trish with me and we took our seats.
Pretty soon, the warm-up comedian took the mic and commenced the difficult task of keeping this particular cross-section of humanity at a level where we could produce manic laughter at every hint of a joke. He started right off singling all of the out of out-of-towners and making fun of them, nation by nation, starting with a tiny woman from England, the some flight attendants on layover from Australia, and a group of one Quebecoise girl and four french tourists. There were also Israeli military men, who happened to be the most adept at singing their own national anthem, another little gag that the emcee pulled on all the foreigners. He poked fun at all of their accents, much to the chagrin of one Frenchman named Frederic, who took a while to warm up to our dear maestro.
The most awkward moment of the evening was when the comedian prompted the winner of the YMCA dance contest to kiss him on the cheek to receive his prize t-shirt, and then very tattooed young man just could not compromise his manhood in that way. So, after the akwardest few minutes, the whole audience must have been secretly asking, "Dude, are you gay?" precisely the question he obviously did not want us asking. I almost ran up and kissed the guy for him, but the comedian pulled another man from the audience to show the stubborn winner how simple it was. Unfortunately for the willing party, the comedian turned his face toward the man's peck so the two engaged in a full lip lock. It was national 'Coming Out Day' after all...
Watching the scenes was a fantastic learning experience for me. There were four sets lined up next to each other: An office, a lobby, a diner, and a living room. Throughout the course of the evening, the three camera, or multi-cam set up would move to the different set, in the actual order of the scenes. Each scene was very short and ended on a nice "button". They would also play scenes they had shot earlier to get the audience laughter recorded.
The comedian put a lot of pressure on us about the laughing, and at first, the audience seemed to be hesitant to laugh--almost as if they were scared they weren't going to do it right. I laugh at almost everything, so it wasn't hard for me to do my job. I was a little disappointed I didn't win a t-shirt or a mug or an autographed script for laughing the loudest, but I think it had something to do with beating the emcee in a stare-down contest when he came up to me during a break, and then saying, "I win."
Depending on how much the audience responded, after each take, the writers would rush over to the actors and make some quick adjustments to the dialogue. It was amazing to watch the actors keep their energy high and their characters consistent. The subtlety and timing were also impeccable. There is a good reason that David Spade and Patrick Warburton, the stars, have had such successful comedic careers. They played the audience like fiddles....or me at least.
As it turns out, the woman sitting next to me and my new friend Trish was the wife of one of the main actors. It was awesome to hear her take on the whole thing. She seemed unimpressed by the whole ordeal, but sweet. Apparently, Sit-com has about the best schedule in the business. It's consistent. The hours aren't bad. It's a Wednesday table read to Tuesday live performance schedule with rehearsals and pre-shoots that last reasonable hours. Showday is about 11 hours, but the rest of the week is light.
What was also wonderful was hearing that she and her husband have been together for 30 years and have four kids and a relatively normal life. It gives me hope that you can make it in Hollywood and not be a total train-wreck with multiple marriages, divorces, and extra-marital affairs. Comedy is a double-edged sword, because we all know comedy is sublimated angst/depression rooted in an abusive or painful childhood, parents who don't understand feelings, and/or Roman Catholicism. But when it's done well, and cleanly, it's one of the purest, most beautiful gifts we humans have.
By the end of the night, we all were a little loopy, including the comedian. But, props to him, he was doing his best to keep it lively. Among his bag of tricks were impeccable German, French, and various British Commonwealth dialects; juggling many things including three ping-pong balls with only his mouth, as well as batons while balancing a chair and then a ladder, on his chin; playing a game called "Guess the Asian" with a group of UCLA students who were part of a community service fraternity, but could not come up with an actual charity that they were raising money for.
They took care of us, giving us half a subway sandwich, a tiny bottle of water, and a cookie. Lucky for me and Trish, the actor's wife gave us her half-sandwich, so we got to split it and each have an extra quarter sub. I was starving, so I felt so grateful, like one of the Orphans in Oliver, or the little girl that Apu reluctantly gives his piece of bread to in Aladdin.
The episode itself, Episode 7--my lucky number, incidentally--was near and dear to my heart. It was entitled "Missed Connections" and centered around one of the employees who saw his dream girl on the metro and decided to post a notice in the Missed Connections section of Craigslist. Right after the topic was raised, there was a scene break, and Cee Lo's "F-you" song played on the overhead.
As many people know, earlier this year, I was alerted to a Missed Connection that had been posted about Yours Truly. Apparently, I had caught the attention of a young man who I had sat next to at a UCB show where Robin Williams made a surprise appearance as an Improv player. The connection? The guy sitting next to me had snorted, and commented "I totally just snorted." I retorted, "yeah you did." I guess he liked my style. Long story short--or Long story, long, as one of the jokes in the show had gone--I went on a date with him where he happened to play the very same Cee Lo "F-you" song and announce it was the best new song ever. Needless to say, things went downhill from there, and he was not my soulmate as I had hoped.
I won't tell you how the episode went, but it was funny, so watch it.
At the end of the show, I reluctantly shuffled out with the rest of the public, feeling kind of energized, but kind of sad. I wanted so desperately to be a part of that operation, and not one of the masses. There's a magic in Sit-Com, mostly because it blends the live-energy of stage, and the finesse of film. And laughter is like really, really good drugs, and I didn't want my high to end.
In the end, I almost forgot to pick up my $42 cash, but Trish reminded me. We met a very dirty white van in the parking lot of a Starbuck's across the street. We all had to line up so Pam could cross us off the list. Then a little old black man handed us an envelope with cash money inside. I felt a little dirty, but also like I had just made the easiest money of my life.
I was reminded that Someday, once I can control my impulse to laugh at pretty much any kind of funny person, let alone prodigious comedians, I hope I will be down in that set, playing the straight person to some comedic genius. But for now, I don't mind just laughing.
It was a wonderful field trip in my own personal school of show-business that I have found myself in throughout the last few months since I graduated from AADA. It's nice because I am the principal and the director of instruction and I get to pick all of my guest instructors. It's nice to be in charge.
I've learned some pretty tough lessons lately, so it was nice to get a dose of the best medicine out there. My dad's a doctor and he's kind of celebrity in our area because he's taken care of pretty much everyone and their mother. I think his secret is that he's a bit of a comedian, and he doesn't just fix people, he makes them smile and feel good.
I want to be able to help people in the same way my dad has. I feel sad that I've missed the boat on Med School, even though the thought of having to go through 7 years of school makes my stomach feel like it needs medical attention. But if I'm lucky, someday, I'll be able to heal peoples' spirits by giving them some chuckles, or at least a smile or two.
Sunday, September 11, 2011
Baby, you were born this way.
Sometimes in life, we experience a trauma that causes us to get stuck in some developmental stage. Or, we are born a certain way, and taught very early on that it is not ok to be ourselves.
At that moment, we hide our true natures in a safe, but hidden place inside and begin to develop an alter ego. We do our best to grow up like everyone else. We hide that part of ourselves that we learned to be ashamed of so that people will accept us. That part doesn’t age along with the rest of us.
Sometimes it means constantly putting on a show so that the world is too distracted to see beyond the front. It means jumping through every hoop that the world puts in front of us so that it will never catch on that we are not who we say we are, that we are damaged. It means closeting our feelings so as not to make others uncomfortable, even if it means living in a state of unending discomfort. It’s exhausting.
Eventually, we meet someone who we think can handle seeing us as we really are. We think that they might have the kind of unconditional love that would not try to change or condemn who are.
We dare to let that malnourished, scared, vulnerable inner-child who has rarely seen the light of day finally step into the spotlight. All of our armor, the stuff that has protected us and allowed us to grow up and succeed in society, to act like everyone else, is suddenly gone and we are defenseless, raw, exposed.
But we are also relieved. Our breathing drops into our belly, the constant mental chatter in our minds ceases and we are fully present in the moment. Something that has been holding on inside us forever finally lets go.
And sometimes, we pick the wrong person. And now, that sacred and fragile inner-child, who was just moments ago so happy to finally be out of the closet, is now along, out in the world, with no protection.
And the person does not even understand what they have done because they are too blind to realize that they have just seen a glimpse of who we are, of our light. And, they begin to scold and belittle and shame the child, just like the people who had originally caused us to run into the closet in the first place.
I am a person that has been diagnosed with Bipolar Disorder, after being diagnosed with everything else. From the beginning of my life, I have felt emotions much stronger than the average person. I am naturally impulsive and I have an over-abundance of energy that needs to be expressed. And from the very beginning, this has been discouraged and often punished. It is different from childhood exuberance and precociousness. It is much deeper than that and it doesn’t go away.
But I learned to closet it. To dampen it so I wasn’t too loud or emotional or impulsive. Every time I would get like that, someone would yank the reigns so I learned to be ashamed of it. Eveventually, I learned to yank my own reigns. I got really good at it.
But as you get older, that part of you gets restless and harder to control. The ruse becomes harder to keep up. I used self-criticism, perfectionism, and self-medication—any tool I could to keep myself hidden, and combat the anxiety that came with it.
In my life, I have chosen a select few people to see this side of me that has been yearning for air. I have chosen wrong. And then, I have felt like Wile E. Coyote when he runs off the cliff, just before he plummets.
In the past, I have run back home, back to the people who love me so so so much because I am their baby, but who were the first people who were scared and misunderstanding of the kind of emotion I was capable of, of my hypersensitivity to the world. They didn't know what to do with me, so they took me to doctors until they gave me a diagnosis that could explain why I was different. Then it could become someone else’s problem.
This diagnosis would give them leverage to rationalize any behavior that seemed out of the norm to them. And it would give me a reason to be terrified of the destruction that I was supposedly capable of, or getting misunderstood with dire consequences again.
This time, that is not going to happen. That inner-child is out and completely standing alone for the first time. She isn’t surrounded by teachers or doctors who understand her condition, and can protect her from people who don’t understand. She’s weak and fragile and scared, but she’s out and she’s staying out.
But this time, she will be ok.
I have realized that the only person who can really nourish her and give her the permission and strength to let her true self shine, is me.
I’m finally in the epicenter of self-expression. A place where people cannot only make a living from their hypersensitivity, but can inspire feelings in others that they didn’t even know they were there.
It’s a gauntlet, with wolves and cannibals around every turn ready to take advantage of your heart and your light, but getting through is worth it if you can make it to the other side.
Let the games begin…
At that moment, we hide our true natures in a safe, but hidden place inside and begin to develop an alter ego. We do our best to grow up like everyone else. We hide that part of ourselves that we learned to be ashamed of so that people will accept us. That part doesn’t age along with the rest of us.
Sometimes it means constantly putting on a show so that the world is too distracted to see beyond the front. It means jumping through every hoop that the world puts in front of us so that it will never catch on that we are not who we say we are, that we are damaged. It means closeting our feelings so as not to make others uncomfortable, even if it means living in a state of unending discomfort. It’s exhausting.
Eventually, we meet someone who we think can handle seeing us as we really are. We think that they might have the kind of unconditional love that would not try to change or condemn who are.
We dare to let that malnourished, scared, vulnerable inner-child who has rarely seen the light of day finally step into the spotlight. All of our armor, the stuff that has protected us and allowed us to grow up and succeed in society, to act like everyone else, is suddenly gone and we are defenseless, raw, exposed.
But we are also relieved. Our breathing drops into our belly, the constant mental chatter in our minds ceases and we are fully present in the moment. Something that has been holding on inside us forever finally lets go.
And sometimes, we pick the wrong person. And now, that sacred and fragile inner-child, who was just moments ago so happy to finally be out of the closet, is now along, out in the world, with no protection.
And the person does not even understand what they have done because they are too blind to realize that they have just seen a glimpse of who we are, of our light. And, they begin to scold and belittle and shame the child, just like the people who had originally caused us to run into the closet in the first place.
I am a person that has been diagnosed with Bipolar Disorder, after being diagnosed with everything else. From the beginning of my life, I have felt emotions much stronger than the average person. I am naturally impulsive and I have an over-abundance of energy that needs to be expressed. And from the very beginning, this has been discouraged and often punished. It is different from childhood exuberance and precociousness. It is much deeper than that and it doesn’t go away.
But I learned to closet it. To dampen it so I wasn’t too loud or emotional or impulsive. Every time I would get like that, someone would yank the reigns so I learned to be ashamed of it. Eveventually, I learned to yank my own reigns. I got really good at it.
But as you get older, that part of you gets restless and harder to control. The ruse becomes harder to keep up. I used self-criticism, perfectionism, and self-medication—any tool I could to keep myself hidden, and combat the anxiety that came with it.
In my life, I have chosen a select few people to see this side of me that has been yearning for air. I have chosen wrong. And then, I have felt like Wile E. Coyote when he runs off the cliff, just before he plummets.
In the past, I have run back home, back to the people who love me so so so much because I am their baby, but who were the first people who were scared and misunderstanding of the kind of emotion I was capable of, of my hypersensitivity to the world. They didn't know what to do with me, so they took me to doctors until they gave me a diagnosis that could explain why I was different. Then it could become someone else’s problem.
This diagnosis would give them leverage to rationalize any behavior that seemed out of the norm to them. And it would give me a reason to be terrified of the destruction that I was supposedly capable of, or getting misunderstood with dire consequences again.
This time, that is not going to happen. That inner-child is out and completely standing alone for the first time. She isn’t surrounded by teachers or doctors who understand her condition, and can protect her from people who don’t understand. She’s weak and fragile and scared, but she’s out and she’s staying out.
But this time, she will be ok.
I have realized that the only person who can really nourish her and give her the permission and strength to let her true self shine, is me.
I’m finally in the epicenter of self-expression. A place where people cannot only make a living from their hypersensitivity, but can inspire feelings in others that they didn’t even know they were there.
It’s a gauntlet, with wolves and cannibals around every turn ready to take advantage of your heart and your light, but getting through is worth it if you can make it to the other side.
Let the games begin…
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